Building Adirondack furniture is a time-honored craft. Sturdy and rustic, this furniture can be a beautiful addition to any indoor decor, although it's most often used to set the scene outdoors. There, the furniture is subjected to a lifetime of abuse. Yearly it moves from somewhere hidden away (probably dark and musty winter storage) to front-and-center on the summer stage. Now, hour after hour it is beaten on by intense UV light, drenched in driving rains, then fried again in the summer sun.
The great outdoors is the perfect "Maker" space for exploring possibilities for creativity, problem solving, and innovation. From designing devices to study the natural world to figuring out ways to find food or water outside, this refreshing title inspires readers to come up with Maker projects of their own in their back yards or communities. "Makers and Shakers" sidebars introduce important innovators and their creations to inspire readers to be environmentally aware and involved in the natural world.
The sovereigns of England, unlike those of France, have seldom taken to themselves the task of acting as patrons of the fine arts. Therefore when we write of the "Queen Anne period" we do not refer to the influence of the undistinguished lady who for twelve years occupied the throne of England. The term is merely convenient for the purpose of classification, embracing, as it does, the period from William and Mary to George I. during which the furniture had a strong family likeness and shows a development very much on the same line. The change, at the last quarter of the seventeenth century, from the Jacobean models to the Dutch, was probably the most important change that has come over English furniture. It was a change which strongly influenced Chippendale and his school, and remains with us to this day.