Listen to Coronavirus Patient Zero
Building Adirondack furniture is a time-honored craft. Sturdy and rustic, this furniture can be a beautiful addition to any indoor decor, although it's most often used to set the scene outdoors. There, the furniture is subjected to a lifetime of abuse. Yearly it moves from somewhere hidden away (probably dark and musty winter storage) to front-and-center on the summer stage. Now, hour after hour it is beaten on by intense UV light, drenched in driving rains, then fried again in the summer sun.
"Own up, Will, you've got hold of some great news, and you're just keeping it back to tease us! How about that, Bluff?" "You're right, Frank, for I can see it in his face. His eyes are just dancing with a big secret. But wait up; here comes Jerry across the campus. Now he'll just have to open the box, and show us." The college boy, called Will by his comrades, and whose last name was Milton, laughed good-naturedly, and then nodded his head. "Why, fellows," he said, "I saw Jerry coming, and meant to wait for him. When all four members of the Rod, Gun and Camera Club, who call themselves the Outdoor Chums, are present, I've got something to say that is going to set you all just wild." At that the young chap who went by the name of Bluff made frantic gestures for a fourth lad, just then heading in their direction, to hurry along. Evidently this freshman must have suspected that something unusual was brewing, for he started on a run, and came up almost panting for breath. "What's in the wind, fellows?" he demanded, glancing from one eager face to the others. "Don't tell me you've made up your minds where the club is going to put in the vacation just ahead of us, because that would be too good news. Who's going to take pity on me, and relieve my suspense?" "Why, Will here has got something to tell us, and wanted to wait till you joined the crowd," said Frank Langdon, who was just a little taller, and more manly-looking than any other in the group; though they were all bright, able lads, who had seen considerable of life.
Globalization affects every aspect of our lives, from what we buy to what we eat to what we study-and the study of design history is no exception. Programs in art, architecture, and interior design all face the challenge of providing students with information from around the world. History of Furniture: A Global View covers the major historical movements in furniture design (from prehistoric periods through contemporary times) and includes parts of the world that traditional history books ignore or underserve, such as Africa and China. It presents the achievements of Western furniture designers, not in isolation from the rest of the globe, but in vibrant contact with it. For example, students will learn about the influence of Islamic design on Romanesque style and Thailand's interpretation of Art Nouveau. In short, this comprehensive book with a global perspective focuses on the evolution of furniture from ancient history through postmodernism.