This book, "A catalogue Of part of the superlatively elegant and magnificent Household furniture," by Fonthill, is a replication of a book originally published before 1801. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible.
The esteemed collectors Laurence and Patrick Seguin first discovered the work of Jean Prouve in the late 1980s, and were quick to embrace his entire aesthetic vision, from architectural design to furniture. "There is no difference between constructing a piece of furniture and constructing a building," Prouve once famously said, and the Seguins have modeled their collection around his stance, becoming major advocates and disseminators of his work in France. This gorgeously produced volume, which presents the Seguins' Prouve collection for the first time, consequently provides a comprehensive overview of their holdings. An entire chapter is devoted to Prouve works at the Seguins' Paris residence. Other sections include an examination of Prouve's relevance to contemporary art; a chapter on Prouve's Aluminum Metropole House, a structure that exemplifies the brilliance of Prouve's architectural work; and a survey of around 40 pieces, most of which are prototypes or rarities, from the armchair designed for the University of Nancy in 1932, to the light armchair created for the University of Antony in 1954, to the African furniture. These are supplemented by archival documents (sketches, models, photographs, etc. and detailed analysis. Also included is a wealth of photo-documentation of the exhibition this volume accompanies, held at the famous former Fiat building in Turin, Italy--once described by Le Corbusier as "one of the most impressive sights in industry" and recently rebuilt into a modern shopping/cultural complex by Renzo Piano, a longstanding admirer of Prouve.Equally admired for his work in furniture, metalwork and architecture, Jean Prouve (1901-1984) is one of the most influential designers of the early modern design movement. His innovative chairs, desks, lamps and shelves have long been collector's items.
"In the following pages the Author has placed before the reader an account of the changes in the design of Decorative Furniture and Woodwork, from the earliest period of which we have any reliable or certain record until the present time. A careful selection of illustrations has been made, and the representations of the different interiors will convey an idea of the character and disposition of the furniture of the periods to which they refer." Contains chapters on Roman furniture, the Renaissance Period and its variations throughout Europe, Asian furniture, and many more. Originally released in 1892.